This page is intended to serve as a jumping off point on general topics of Ashtanga Vinyasa Yoga practice. It is not comprehensive, but my hope is to get you curious to explore further.
I intend no partisanship or offense with this page. This is my understanding and any mistakes are my own.
What Makes Ashtanga
Ashtanga as a practice has a few distinctives. I like to view it as a bridge between ancient Hatha practices and modern ideas. The genius of Sri K Pattabhi Jois was his openness to sharing, synchretism, organization, and teaching methodology.
The following is from David Williams, an early disciple of Pattabhi-ji. This is how Ashtanga was described to David and Nancy in their first yoga session in Mysore:
“I am going to teach you a classical method of yoga that is more than 5,000 years old. This is the most ancient form of yoga. We know the lineage of yogis who have passed it down, all the way back to the first yogi, Lord Shiva. It is taught move by move, breath by breath. This is an exact method. You must promise that you will not change it. Classical means unchanged over the centuries.”
In typical style, we know that he was being humble in this description and that he thoughtfully modified and changed the practice. However, I think the emphasis on tradition and honoring those who have shared the practice with you is a worthwhile custom to carry forward. Everyone loves a good origin story, too!
Breathing, Body locks, and Gaze
A consistent emphasis across all areas of practice is the focused intention of movement regulated by the breath, the use of various body locks to stabalize and strengthen, and a soft-focused gaze at specific locations. When done together what was exercise turns into yoga and your practice becomes meditative. And the count–there is so much numerology in Mysore’s culture.
David Swenson’s Five Elements
I really appreciate this model from David–and his teaching style in general! In his view, there are five elements to Ashtanga Vinyasa Yoga practice:
- Vinyasa: breath-connected movement.
- Ujjayi Breath: deep breathing with sound.
- Drishti: the focus and object of your gaze in each asana.
- Bandhas: body-locks.
- Asanas: the various postures composing the practice series.
Is that all?
Story time again.
Between the second century BCE and the fifth CE, there lived a sage named Patanjali who codified a devotional path based on Sankhya Philosophy called Yoga into a collection a aphorisms (Pātañjalayogaśāstra). Those Sutras (short statements) pack a ton of information, and there have been commentaries on them published and circulated ever since.
One of the things Patanjali described is an eight-fold system, or path. Ashta in the Sanskrit language means eight. Ashtanga Yoga (2:29 - 3:55) means eight limbs, or elements of yoga practice (there’s that numerology again).
They are, in order:
- यम Yama: restraints or ethics of behavior.
- नियम Niyama: observances.
- आसन Asana: postures.
- प्राणायाम Pranayama: breath/prana control.
- प्रत्याहार Pratyahara: sense withdrawl.
- धारणा Dharana: concentration.
- ध्यान Dhyana: meditation.
- समाधि Samadhi: realization.
Yoga practice in the west is mostly about step number 3, asana, in Patanjali’s sutra. I don’t think most people are aware that they are missing 7/8ths of the practice. Ashtanga Vinyasa Yoga is a complete system, and as Sri BNS Iyengar likes to point out, it’s Patanjali Yoga!
Given the above, practicing Ashtanga Vinyasa Yoga is a more complete practice than what you will typically find in the local stripmall studio. Bandha, Ujjayi breath (Pranayama), and Drishti all help us focus (Dharana) and over time they become almost meditative (Dhyana). A thoughtful, intention-filled practice then turns into something more than just postures.
Where did this practice come from?
Ashtanga is a way of practicing yoga, as you’ve learned in the sections above. Within that specific way of practicing there is a lineage of teachers who have influenced the practice as they pass it on. This section is intended to serve as a survey and respectful way to highlight–and celelbrate–those teachers and their distinctives and areas of emphasis.
Sri K Pattabhi Jois (1915 - 2009)
A direct disciple and teaching assistant of the father of modern yoga, Sri T. Krishnamacharya. His Ashtanga Yoga Research Institute in Mysore established and propogated the practice we all enjoy today. His influence in modern yoga practice cannot be overstated. Vinyasa, Power Yoga, etc. are all direct distillations or outright copies of his practice, stripped of the cultural underpinnings and devotion that make yoga yoga.
He held a teaching position at the Sanskrit College of Mysore by appointment from the Maharaj as a professor and eventually the department head of yoga. The necessity of an ordered progression and syllabus may have influenced his asana arrangement into the series we know today. Early American disciple David Williams has copies of the original series, which you can find in his memoir.
By most accounts, he could be alternatively warm and demanding in practice. Manju states that asana practice early on was fun and his father could be a prankster. He would adapt the practice to the student and started from a mindset that yoga is a healing and spiritual practice for everyone. Later on, as his popularity and number of students grew, he altered the practice to fit the demands on his time and attention. This pushed learning Pranayama and the other limbs back farther from their previous placement.
After his passing, multiple allegations of abuse–including improper adjustments of all kinds–have surfaced. There is no place in yoga for any kind of abuse.
Saraswathi Rangaswami (1941 - )
Daughter of KP Jois and mother of Sharath, Saraswathi is a force in her own right. She is the senior-most female teacher.
She was the first girl admitted to the Sanskrit College of Mysore. She went on to assist her father in teaching and in 1986 she became the first woman ever to teach yoga to men and women together in Mysore. She is welcoming and happy to teach anyone from any background.
Her style of instruction is more direct and conservative-minded in preserving her father’s teachings. Expect high levels of discipline, firm corrections, and a deep emphasis on the sanskrit count.
Manju Pattabhi Jois (1944 - )
Eldest son of Sri KP Jois. Warm, welcoming, and focused on keeping yoga practice fun, devotional, and therapeutic. He traveled around India in the late 60s giving asana demonstrations and propogating the practice.
Following an invitation from David Williams and Nancy Gilgoff, Manju immigrated and naturalized to California, USA, where he still teaches today. Immersion in western society has helped him to bridge the cultures and authoritatively share yoga practices with people from all backgrounds–particularly in North America and Europe where he mentors and authorizes many teachers.
A distinctive of Manju’s practice is the emphasis on learning Mantra (Vedic Chanting)–which he calls “yoga for the throat”. Manju’s mantra practice is beautful and fun, and he’ll sometimes insert them throughout asana practice. He will also suggest holding an asana much longer than the standard five breath count. Manju will adapt the practice to the individual by modifying or skipping asanas, and his focus is on yoga as a healing practice.
Sri BNS Iyengar (1926 - )
“Yoga is not just exercise. It is a way to see the soul.” –Sri BNS Iyengar
A direct disciple of the father of modern yoga, Sri T. Krishnamacharya. After Krishnamacharya moved to Pune, he continued asana practice with Pattabhi Jois who took over asana teaching at the Sanskrit College. He eventually developed an alternative form of Ashtanga Vinyasa Yoga with deep focus on Pranayama and Mudra rather than a purely athletic Vinyasa.
His teaching style does not require you to master every asana before moving on, much like Manju. His specialty and emphasis is on Mudra, Pranayama, meditation, and the higher limbs of yoga. Practice with BNS focuses on Tapas, discipline, and dedication–and is enjoyable, avoids injury, competition, or harsh self-judgement. Expect Mantra (Vedic Chanting) and early exposure to Pranayama practices. A led class with him can get through the entire primary series in under an hour! This summer, 2026, marks Guruji BNS’s 100th birthday.
Sri Sharath Jois (Rangaswami) (1971 - 2024)
A direct disciple of Sri KP Jois and inherited his grandfather’s school in Mysore. Expanded his grandfathers teachings into a global authorization body and massive school in Mysore. Provided standardization, pushed strict uniformity, and technical mastery.
It is safe to say that the vast majority of folks to learn Ashtanga post-2000 have been influenced by Sharath’s pedagogy and practice.